The Great Harvest
Oscar Tuazon, Jason Meadows, Eric Wesley
Daxin, Guangxi Zhuang Autonomous Region, China
18th August to 1st of September, 2026
By Appointment Only
Three American artists bring existing investigations to a remote mountain village in southwestern China. Their work was not made for this place. But in this place, it finds unexpected resonance.
Oscar Tuazon's water paintings and glass orbs sit alongside a river the Zhuang have managed for millennia. Jason Meadows' fractured typeface meets a language that refused erasure. Eric Wesley's interrogation of currency meets an economy rooted in agriculture and pigs.
This is what happens when two knowledge systems meet as equals.
O.T | 茶水之道
Oscar Tuazon Solo Exhibition
Nanning Tea House, Guangxi
September 2–30, 2026
Opening Ceremony: September 2, 6pm
Oscar Tuazon sets conditions. Material decides. Two blown-glass orbs (sun and water world). Three works on paper combining marbling technique with spray paint—two capturing water's movement, one rendering a sun. Records of what the artist cannot control.
This is 茶水之道—the Way of Tea and Water. Understanding material nature so thoroughly you work with it rather than against it. Wu wei. Effortless action. The artist and material collaborate.
The opening ceremony presents China's Six Major Teas. Same principle: tea masters guide fermentation without forcing it. Water and leaf collaborate. What emerges belongs to neither alone.
Scarcity as Inheritance and/or What the Small Hand Remembers
Victor Payares & Li Xia
Nanning Tea House, Guangxi
October 1–30, 2026
By Appointment Only
Cuba and China became comrades in 1960. But the material history is older: small hands that built economies, cooked meals, poured tea. This show examines what survives when systems collapse.
Victor Payares paints by reduction. Three works. What remains after everything is stripped away.
Li Xia preserves what gets discarded. Pork carved into jasper. Placed on red plastic. The stone renders permanent what was meant to be consumed.
The Liubao ceremony: three aged infusions. When tea is poured, the guest taps twice - a gesture older than empire. A small hand's thank you.
What do small hands remember when everything else is gone?
Cindy Chinn: Not Your Typical Artist
Cindy Chinn
Gallery 92 West, Fremont, Nebraska
September 3–25, 2026
Opening Reception: September 3, 5–7 PM
Cindy Chinn refuses to choose one material. Pencil lead. Metal. Glass. Paint. Ceramics. Large-scale sculpture. Most artists settle into a signature language. She never agreed to that.
This exhibition brings together the full range of her practice—something that almost never happens. Over a dozen pencil carvings. Sculptures. Paintings. Watch how the logic stays consistent across all of it. That consistency across radical difference is the work.
The pencil is the most overlooked tool on any desk. In her hands, it becomes a monument to what attention can do.